fix: Formatting

books/core/104.html

@@ -1,15 +1,17 @@
-<h2>INVENTORY POINTS</h2>
+<div>
+  <h1>INVENTORY POINTS</h1>
 
   <p>
     Player Characters have an abstract reserve of useful gear and consumable
     items, represented by Inventory Points (IP).
   </p>
   <p>
-  A character can normally carry a maximum of 6 Inventory Points; however, some
+    A character can normally carry a maximum of 6 Inventory Points; however,
-  Classes and special Skills will increase this limit.
+    some Classes and special Skills will increase this limit.
   </p>
-
+</div>
-<h3>SPENDING INVENTORY POINTS</h3>
+<div>
+  <h2>SPENDING INVENTORY POINTS</h2>
   <p>
     Whenever you need a consumable item from the list below, you may spend an
     appropriate amount of Inventory Points to produce it from your bag and apply
@@ -22,9 +24,9 @@
   </p>
   <p>
     The table below lists the default inventory objects available in the game;
-  this information is also present on your group sheet for easier reference. The
+    this information is also present on your group sheet for easier reference.
-  sheet also features blank spaces where you can write custom inventory items
+    The sheet also features blank spaces where you can write custom inventory
-  that are unique to your world!
+    items that are unique to your world!
   </p>
   <p>
     The Tinkerer Class (<a href="/books/core/#page-210">page 210</a>) can use
@@ -67,3 +69,4 @@
       </tr>
     </tbody>
   </table>
+</div>

books/core/105.html

@@ -44,7 +44,7 @@
   For instance, an item that costs 2 IP to create should sell for 10 zenit at
   most.
 </p>
-<p>
+<p class="note">
   <strong>Note:</strong> While tools and similar gear might allow you to perform
   an otherwise impossible operation, they never grant any mechanical benefit.
 </p>

books/core/106.html

@@ -1,21 +1,29 @@
+<div>
   <p>
     While conflicts may be the most memorable moments of a game session, the
-  exploration of the game world is another major aspect of Fabula Ultima. At the
+    exploration of the game world is another major aspect of Fabula Ultima. At
-  beginning of the game, your group will create the world together (see World
+    the beginning of the game, your group will create the world together (see
-  Creation, on <a href="/books/core/#page-148">page 148</a>); however, this does
+    World Creation, on <a href="/books/core/#page-148">page 148</a>); however,
-  not mean you know everything about it. While you may be familiar with the main
+    this does not mean you know everything about it. While you may be familiar
-  regions and cities, there are plenty of discoveries — and dangers! — awaiting
+    with the main regions and cities, there are plenty of discoveries — and
-  our heroes.
+    dangers! — awaiting our heroes.
   </p>
+</div>
+<div>
   <h2>TRAVELING ACROSS THE WORLD MAP</h2>
   <p>
-  When a group embarks on a journey, the Game Master makes use of the map sheet
+    When a group embarks on a journey, the Game Master makes use of the map
-  to track their movements. The basic unit of this system is the travel day: it
+    sheet to track their movements. The basic unit of this system is the travel
-  is the average distance covered during a single day on the map (assuming the
+    day: it is the average distance covered during a single day on the map
-  characters are traveling on foot). The length of one travel day when using
+    (assuming the characters are traveling on foot). The length of one travel
-  your map sheet must be established by the group during World Creation.
+    day when using your map sheet must be established by the group during World
+    Creation.
   </p>
-<p>For each travel day required by the journey, perform the following steps:</p>
+  <p>
+    For each travel day required by the journey, perform the following steps:
+  </p>
+</div>
+<div>
   <h3>JOURNEYS AND TRAVELS</h3>
   <p>
     For the sake of simplicity, travel days should always be rounded up to the
@@ -28,25 +36,26 @@
   </p>
   <ul>
     <li>
-    <strong>W:</strong> The Game Master determines the threat level of the areas
+      <strong>W:</strong> The Game Master determines the threat level of the
-    traversed by the group (see next page). If more than a single threat level
+      areas traversed by the group (see next page). If more than a single threat
-    is present, only apply the highest.
+      level is present, only apply the highest.
     </li>
     <li>
-    <strong>1W:</strong> Unless stopped by an encountered danger, the characters
+      <strong>1W:</strong> Unless stopped by an encountered danger, the
-    proceed to the next travel day (go back to step 1) or reach their
+      characters proceed to the next travel day (go back to step 1) or reach
-    destination.
+      their destination.
     </li>
     <li>
-    <strong>3O:</strong> Perform a travel roll by rolling the die appropriate to
+      <strong>3O:</strong> Perform a travel roll by rolling the die appropriate
-    the chosen threat level.
+      to the chosen threat level.
       <ul>
         <li>On a 6 or higher, the group encounters a danger!</li>
         <li>On a 1, the group makes an unexpected discovery!</li>
       </ul>
       <p>
-      The Game Master decides the location of each danger and discovery; if you
+        The Game Master decides the location of each danger and discovery; if
-      need, mark its position on your map sheet.
+        you need, mark its position on your map sheet.
       </p>
     </li>
   </ul>
+</div>

books/core/107.html

@@ -1,3 +1,4 @@
+<div>
   <h2>Sample Areas Threat Level Travel Roll</h2>
   <table>
     <thead>
@@ -36,28 +37,31 @@
     </tbody>
   </table>
   <p>
-  Needless to say, a frequently patrolled area under enemy control will count as
+    Needless to say, a frequently patrolled area under enemy control will count
-  a <strong>High</strong> or <strong>Very High</strong> danger, just like a
+    as a <strong>High</strong> or <strong>Very High</strong> danger, just like a
     prairie overrun by hostile monsters.
   </p>
-<p>The Game Master has final say on the threat level for a given travel day.</p>
-<h3>Example</h3>
   <p>
-  A group of heroes are leaving the village of Relde for the Kanka Hills, where
+    The Game Master has final say on the threat level for a given travel day.
-  they must search for an old mining tunnel that supposedly leads to the lair of
+  </p>
-  a wise water serpent.
+  <div class="example">
+    <strong>Example:</strong>&nbsp;
+    <p>
+      A group of heroes are leaving the village of Relde for the Kanka Hills,
+      where they must search for an old mining tunnel that supposedly leads to
+      the lair of a wise water serpent.
     </p>
     <p>
       Liz (the Game Master) takes a look at the map and determines that the
-  characters will need one travel day to reach the hills, and another travel day
+      characters will need one travel day to reach the hills, and another travel
-  to explore the surrounding area in order to find the tunnel entrance.
+      day to explore the surrounding area in order to find the tunnel entrance.
     </p>
     <p>
-  For the first travel day, the group will cross prairies (d8) and hills (d10).
+      For the first travel day, the group will cross prairies (d8) and hills
-  Since only the highest die has to be taken into account, Liz should roll a
+      (d10). Since only the highest die has to be taken into account, Liz should
-  d10. However, there is talk of a gang of bandits roaming the prairie: she
+      roll a d10. However, there is talk of a gang of bandits roaming the
-  decides this should raise the threat level to <strong>High</strong> (d12). The
+      prairie: she decides this should raise the threat level to
-  die comes up a 7: a danger!
+      <strong>High</strong> (d12). The die comes up a 7: a danger!
     </p>
     <p>
       Liz has the group encounter a band of four brigands, accompanied by a Grey
@@ -65,15 +69,17 @@
       Characters manage to fend off the attackers.
     </p>
     <p>
-  Before moving on to the next travel day, the heroes choose to use a Magic Tent
+      Before moving on to the next travel day, the heroes choose to use a Magic
-  and rest, regaining their energies.
+      Tent and rest, regaining their energies.
     </p>
     <p>
       Finally, Liz rolls for the second travel day, spent exploring the hills in
-  search of the fabled mine: this time, the die rolled is only a d10... and she
+      search of the fabled mine: this time, the die rolled is only a d10... and
-  rolls a 1! After giving it some thought, Liz describes the PCs finding an
+      she rolls a 1! After giving it some thought, Liz describes the PCs finding
-  entrance to the ancient tunnels... but they are not alone! They meet a
+      an entrance to the ancient tunnels... but they are not alone! They meet a
-  traveling merchant by the name of Lily, who wishes to be escorted through the
+      traveling merchant by the name of Lily, who wishes to be escorted through
-  mine: she seeks an audience with the serpent herself, and will reward them
+      the mine: she seeks an audience with the serpent herself, and will reward
-  with goods or information for it!
+      them with goods or information for it!
     </p>
+  </div>
+</div>

books/core/108.html

@@ -1,4 +1,5 @@
-<h1>DANGERS</h1>
+<div>
+  <h2>DANGERS</h2>
   <p>
     Characters should generally be able to overcome a danger through a series of
     Checks or a conflict scene.
@@ -6,11 +7,13 @@
   <h2>Examples of Dangers</h2>
   <ul>
     <li>
-    An area plagued by extreme weather conditions, such as sandstorms or bitter
+      An area plagued by extreme weather conditions, such as sandstorms or
-    cold.
+      bitter cold.
     </li>
     <li>A polluted swamp filled with toxic miasma and ravenous undead.</li>
-  <li>A ferocious and territorial monster, or a group of hostile creatures.</li>
+    <li>
+      A ferocious and territorial monster, or a group of hostile creatures.
+    </li>
     <li>A sudden, unfortunate encounter with a rival or antagonist.</li>
     <li>The risk of losing an important item.</li>
   </ul>
@@ -49,17 +52,18 @@
     Status effects are another good consequence for dangers: for instance, the
     polluted swamp mentioned above might inflict <em>poisoned</em>.
   </p>
-<h2>World Map Management</h2>
+</div>
+<div>
+  <h3>UPDATING THE WORLD MAP</h3>
   <p>
     While playing, the Game Master is free to add new landmarks, settlements and
-  similar features to the map sheet whenever they feel appropriate. This usually
+    similar features to the map sheet whenever they feel appropriate. This
-  happens when the group encounters a new point of interest or dangerous area,
+    usually happens when the group encounters a new point of interest or
-  or when they learn about it from someone.
+    dangerous area, or when they learn about it from someone.
   </p>
   <p>
     Players can also add new features and locations to the map by spending a
     Fabula Point to add a new story element, as explained on
     <a href="/books/core/#page-98">page 98</a>.
   </p>
-<h3>Attribution</h3>
+</div>
-<p>UPDATING THE WORLD MAP</p>

books/core/109.html

@@ -1,7 +1,8 @@
-<p><strong>DISCOVERIES</strong></p>
+<div>
+  <h2>DISCOVERIES</h2>
   <p>
-  Discoveries don’t happen that often, so the Game Master should make sure each
+    Discoveries don’t happen that often, so the Game Master should make sure
-  and every one of them is unique and useful.
+    each and every one of them is unique and useful.
   </p>
   <ul>
     <li>
@@ -16,5 +17,11 @@
     Remember that a discovery is always a good thing: even if it’s a dangerous
     location, the reward it conceals should more than make up for it.
   </p>
-<h2>The first airship pilot, Oona Sabine,</h2>
+</div>
-<p>vanished during a flight over the Whisperwoods.</p>
+<hr />
+<div>
+  <blockquote>
+    The first airship pilot, Oona Sabine, vanished during a flight over the
+    Whisperwoods.
+  </blockquote>
+</div>

books/core/110.html

@@ -1,11 +1,13 @@
+<h1>DUNGEONS</h1>
+<div>
   <p>
-  The concept of a “dungeon” is a common trope in any type of RPG, tabletop and
+    The concept of a “dungeon” is a common trope in any type of RPG, tabletop
-  digital alike. Generally, a dungeon is frequently — but not always! — a
+    and digital alike. Generally, a dungeon is frequently — but not always! — a
     labyrinthine environment, inhabited by hostile creatures... and often
-  concealing valuable treasures and powerful magical items, or acting as an evil
+    concealing valuable treasures and powerful magical items, or acting as an
-  antagonist's lair.
+    evil antagonist's lair.
   </p>
-<p>
+  <p class="note">
     In Fabula Ultima, the term “dungeon” is used to indicate a somewhat complex
     location that is worthy of being explored. It could be an abandoned mill
     turned into a brigand hideout, a witch’s castle, or a network of waterways
@@ -13,11 +15,13 @@
   </p>
   <p>
     Most of the time, the dungeon itself won’t be that important: why the heroes
-  are there and what can be found within it is what really matters. Other times,
+    are there and what can be found within it is what really matters. Other
-  a dungeon can be a powerful way to tell a story about those who inhabited it —
+    times, a dungeon can be a powerful way to tell a story about those who
-  and maybe hint at some obscure truths or provide an answer to some of the game
+    inhabited it — and maybe hint at some obscure truths or provide an answer to
-  world's mysteries.
+    some of the game world's mysteries.
   </p>
+</div>
+<div>
   <h2>EXPLORING DUNGEONS</h2>
   <p>
     Depending on the size and importance of the dungeon in question, the Game
@@ -34,25 +38,25 @@
       take place as normal.
     </li>
     <li>
-    <strong>Detailed exploration.</strong> The entire dungeon can be explored in
+      <strong>Detailed exploration.</strong> The entire dungeon can be explored
-    its every nook and cranny. This approach can be quite time-consuming and
+      in its every nook and cranny. This approach can be quite time-consuming
-    should only be used if the structure and details of the place tell an
+      and should only be used if the structure and details of the place tell an
       important story. For this method to work, the GM should carefully prepare
-    the layout of the dungeon beforehand — reserve it for locations that you're
+      the layout of the dungeon beforehand — reserve it for locations that
-    sure the PCs will explore.
+      you're sure the PCs will explore.
     </li>
     <li>
       <strong>Interlude.</strong> The exploration is narrated as an interlude
       scene, with maybe a single Group Check establishing whether the Player
       Characters encounter any obstacles or dangers before they reach the depths
       of the dungeon. Use this approach if you are short on time and if the
-    dungeon isn't particularly important — the typical occasion would be a minor
+      dungeon isn't particularly important — the typical occasion would be a
-    location discovered while traveling.
+      minor location discovered while traveling.
     </li>
   </ul>
   <p>
-  Additional advice on how the Game Master should prepare material for dungeons
+    Additional advice on how the Game Master should prepare material for
-  can be found starting on <a href="/books/core/#page-258">page 258</a>.
+    dungeons can be found starting on
+    <a href="/books/core/#page-258">page 258</a>.
   </p>
-<hr />
+</div>
-<p>DUNGEONS</p>

books/core/111.html

@@ -1,4 +1,5 @@
-<h1>DANGER CLOCKS</h1>
+<div>
+  <h2>DANGER CLOCKS</h2>
   <p>
     The Game Master can use Clocks to keep track of incoming threats in the
     dungeon. These Danger Clocks should feature a number of section based on the
@@ -6,13 +7,14 @@
   </p>
   <ul>
     <li>
-    <strong>Eight sections</strong> for a threat that isn't immediately obvious
+      <strong>Eight sections</strong> for a threat that isn't immediately
-    and will only come true with time — something like "crumbling temple" or
+      obvious and will only come true with time — something like "crumbling
-    "magitech system failure".
+      temple" or "magitech system failure".
     </li>
     <li>
-    <strong>Six sections</strong> for a threat that is quite obvious and likely
+      <strong>Six sections</strong> for a threat that is quite obvious and
-    to happen after a while — such as "wandering monsters" or "poisonous fog".
+      likely to happen after a while — such as "wandering monsters" or
+      "poisonous fog".
     </li>
     <li>
       <strong>Four sections</strong> for a threat that is urgent and very likely
@@ -21,18 +23,19 @@
     </li>
   </ul>
   <p>
-  The Game Master may fill a Danger Clock as a consequence of failed Checks, as
+    The Game Master may fill a Danger Clock as a consequence of failed Checks,
-  well as when an event would make the threat more likely, such as when the PCs
+    as well as when an event would make the threat more likely, such as when the
-  spend time searching a room, make noise, rest inside the dungeon or draw
+    PCs spend time searching a room, make noise, rest inside the dungeon or draw
     unwanted attention.
   </p>
   <p>
-  Different Danger Clocks will be triggered by different actions and events, of
+    Different Danger Clocks will be triggered by different actions and events,
-  course — casting a spell might fill an "arcane overload" Clock, while
+    of course — casting a spell might fill an "arcane overload" Clock, while
     searching a room is unlikely to affect it.
   </p>
   <p>
     As the Clock fills, the Game Master should foreshadow the incoming danger:
-  once it is completely filled, that threat will become active in full, and the
+    once it is completely filled, that threat will become active in full, and
-  heroes will be forced to deal with it one way or another.
+    the heroes will be forced to deal with it one way or another.
   </p>
+</div>

books/core/112.html

@@ -1,54 +1,66 @@
+<h1>MAGIC</h1>
+<div>
   <p>
-  The worlds of Fabula Ultima are innately magical, bound together on an atomic
+    The worlds of Fabula Ultima are innately magical, bound together on an
-  level by a stream of eternal souls. Because of this, many creatures can wield
+    atomic level by a stream of eternal souls. Because of this, many creatures
-  magic, manipulating soul energy to create supernatural effects.
+    can wield magic, manipulating soul energy to create supernatural effects.
   </p>
+</div>
+<div>
   <h2>SPELLS AND RITUALS</h2>
   <p>
-  Magic in Fabula Ultima falls within one of two categories: spells or Rituals.
+    Magic in Fabula Ultima falls within one of two categories: spells or
+    Rituals.
   </p>
   <ul>
     <li>
       <strong>Spells</strong> represent codified magic formulas developed to
       protect warriors and travelers: their applications are primarily offensive
-    or defensive. They can be learned easily and only require a brief gesture to
+      or defensive. They can be learned easily and only require a brief gesture
-    cast, but lack flexibility.
+      to cast, but lack flexibility.
     </li>
     <li>
       <strong>Rituals</strong>, on the other hand, are complex magical effects
-    designed to overcome a specific obstacle: whenever a Ritual is performed, it
+      designed to overcome a specific obstacle: whenever a Ritual is performed,
-    will always be started from scratch and take several minutes to complete.
+      it will always be started from scratch and take several minutes to
+      complete.
     </li>
   </ul>
   <p>
     While powerful and extremely flexible, Rituals consume large amounts of Mind
-  Points and require difficult Magic Checks; additionally, failing a Ritual will
+    Points and require difficult Magic Checks; additionally, failing a Ritual
-  cause the magic to spiral out of control. While these downsides can be
+    will cause the magic to spiral out of control. While these downsides can be
-  mitigated through time, effort, and complex procedures, the truth remains that
+    mitigated through time, effort, and complex procedures, the truth remains
-  Ritual magic is a powerful resource... but one that should be used sparingly.
+    that Ritual magic is a powerful resource... but one that should be used
+    sparingly.
   </p>
   <p>
     The mechanics governing spells and Rituals can be found in the next pages.
   </p>
+</div>
+<div>
   <h2>MAGIC DISCIPLINES</h2>
   <p>
     This book features a total of six disciplines: Arcanism, Chimerism,
-  Elementalism, Entropism, Ritualism, and Spiritism. Five of these correspond to
+    Elementalism, Entropism, Ritualism, and Spiritism. Five of these correspond
-  a specific Class: Arcanist, Chimerist, Elementalist, Entropist, and Spiritist,
+    to a specific Class: Arcanist, Chimerist, Elementalist, Entropist, and
-  whilst Ritualism is available to all of these Classes, except for Arcanists.
+    Spiritist, whilst Ritualism is available to all of these Classes, except for
+    Arcanists.
   </p>
+  <div>
     <h3>ARCANISM</h3>
     <p>
       Arcanists can project a large portion of their soul outside their bodies,
-  forcing it to resonate with the power left behind by ancient divine entities
+      forcing it to resonate with the power left behind by ancient divine
-  known as Arcana, and manifest a fragment of their power. To access an
+      entities known as Arcana, and manifest a fragment of their power. To
-  Arcanum’s power, one must first earn their favor: this often involves
+      access an Arcanum’s power, one must first earn their favor: this often
-  completing some sort of trial, quest, or mission.
+      involves completing some sort of trial, quest, or mission.
     </p>
     <p>
-  Arcanism is a peculiar discipline that does not feature spells, but instead
+      Arcanism is a peculiar discipline that does not feature spells, but
-  follows its own unique mechanics (see the Arcanist Class on
+      instead follows its own unique mechanics (see the Arcanist Class on
       <a href="/books/core/#page-176">page 176</a>). Arcanism Rituals are also
       possible through the Arcane Rituals Skill.
     </p>
-<p>MAGIC</p>
+  </div>
+</div>

books/core/113.html

@@ -1,44 +1,55 @@
-<h2>Chimerism</h2>
+<div>
+  <h3>Chimerism</h3>
   <p>
     Chimerists gain their powers from the souls of beasts and monsters; they
     search for creatures able to cast spells and attempt to mimic the same
     effects.
   </p>
   <p>
-  Chimerism features both spells and Rituals. However, Chimerist spells must be
+    Chimerism features both spells and Rituals. However, Chimerist spells must
-  learned from creatures (see the Spell Mimic Skill on
+    be learned from creatures (see the Spell Mimic Skill on
     <a href="/books/core/#page-183">page 183</a>).
   </p>
-<h2>Elementalism</h2>
+</div>
+<div>
+  <h3>Elementalism</h3>
   <p>
     Elementalists can control the stream of souls that binds the four core
-  elements of creation: air, earth, fire, and water. They can also influence any
+    elements of creation: air, earth, fire, and water. They can also influence
-  of their combinations and manifestations, such as magma, blizzards, deserts,
+    any of their combinations and manifestations, such as magma, blizzards,
-  or clouds.
+    deserts, or clouds.
   </p>
   <p>Elementalism features both spells and Rituals.</p>
-<h2>Entropism</h2>
+</div>
+<div>
+  <h3>Entropism</h3>
   <p>
-  Entropists go beyond the stream of souls found in the world and reach for the
+    Entropists go beyond the stream of souls found in the world and reach for
-  vast expanse of nothingness between stars. Their chaotic magic defies logic,
+    the vast expanse of nothingness between stars. Their chaotic magic defies
-  twisting time and space and dissipating souls, matter, and magical energy.
+    logic, twisting time and space and dissipating souls, matter, and magical
+    energy.
   </p>
   <p>Entropism features both spells and Rituals.</p>
-<h2>Ritualism</h2>
+</div>
+<div>
+  <h3>Ritualism</h3>
   <p>
     Contrary to most other magical disciplines, Ritualism features no spells and
-  can only be used in Ritual form. It is a catch-all term for Rituals performed
+    can only be used in Ritual form. It is a catch-all term for Rituals
-  to manipulate, sense, bind or unleash magical energy present within a
+    performed to manipulate, sense, bind or unleash magical energy present
-  location, item, mechanism, or relic.
+    within a location, item, mechanism, or relic.
   </p>
   <p>
     From a certain point of view, magitech could be considered a combination of
     Ritualism and technology.
   </p>
-<h2>Spiritism</h2>
+</div>
+<div>
+  <h3>Spiritism</h3>
   <p>
     Spiritists can manipulate the raw energy found within the souls of living
     creatures, influencing their emotions and manipulating their vital force: a
     power both miraculous and frightening.
   </p>
   <p>Spiritism features both spells and Rituals.</p>
+</div>

books/core/114.html

@@ -1,70 +1,96 @@
+<div>
+  <h2>Spells</h2>
   <p>
     Spells can belong to any of the following disciplines: Chimerism,
     Elementalism, Entropism, and Spiritism. The remaining two disciplines,
     Arcanism and Ritualism, do not feature any spells.
   </p>
+</div>
+<div>
   <h2>Spell Format</h2>
   <p>
     Each spell description uses the format below and contains a variety of
     information:
   </p>
+  <div>
     <h3>Example Spell Metadata</h3>
-<p>
+    <table>
-  <strong>Ignis</strong> <span>rr</span> 10 × T | Up to three creatures |
+      <thead>
-  Instantaneous
+        <tr>
-</p>
+          <th>Name</th>
-<p>
+          <th>Cost</th>
-  You unleash a searing barrage against your foes, conjuring flames out of thin
+          <th>Targets</th>
-  air. Each target hit by this spell suffers
+          <th>Duration</th>
-  <strong class="mechanical-effect">【HR + 15】</strong> fire damage.
+        </tr>
-</p>
+      </thead>
-<p>
+      <tbody>
-  <strong>Opportunity:</strong> Each target hit by this spell suffers shaken.
+        <tr>
-</p>
+          <td>Ignis (rr)</td>
+          <td>10 × T</td>
+          <td>Up to three creatures</td>
+          <td>Instantaneous</td>
+        </tr>
+        <tr>
+          <td colspan="4">
+            You unleash a searing barrage against your foes, conjuring flames
+            out of thin air. Each target hit by this spell suffers
+            <span>【HR + 15】</span> fire damage.
+            <strong>Opportunity:</strong> Each target hit by this spell suffers
+            shaken.
+          </td>
+        </tr>
+      </tbody>
+    </table>
+  </div>
+  <div>
     <h3>Spell Components</h3>
     <ul>
       <li>
-    <strong>The Name and Type:</strong> The name of the spell, and whether it is
+        <strong>The Name and Type:</strong> The name of the spell, and whether
-    an offensive spell (rr). <br /><em
+        it is an offensive spell (rr).
-      >See <a href="/books/core/#page-116">page 116</a> for more information on
+        <em>
-      offensive spells.</em
+          See <a href="/books/core/#page-116">page 116</a> for more information
-    >
+          on offensive spells.
+        </em>
       </li>
       <li>
-    <strong>Mind Point Cost:</strong> The cost of the spell in Mind Points. To
+        <strong>Mind Point Cost:</strong> The cost of the spell in Mind Points.
-    cast a spell, you must have enough MP to pay its cost; additionally, some
+        To cast a spell, you must have enough MP to pay its cost; additionally,
-    spells allow you to spend more MP to increase the number of targets or
+        some spells allow you to spend more MP to increase the number of targets
-    strengthen the effect. For instance, a spell with a cost of 10 × T will cost
+        or strengthen the effect. For instance, a spell with a cost of 10 × T
-    you 10 Mind Points per target; the final amount of Mind Points required to
+        will cost you 10 Mind Points per target; the final amount of Mind Points
-    cast a spell is known as the total MP cost.
+        required to cast a spell is known as the total MP cost.
       </li>
       <li>
         <strong>Targets:</strong> The targets that can be affected by the spell.
-    Most spells can target a certain number of creatures, but others may affect
+        Most spells can target a certain number of creatures, but others may
-    different targets (such as weapons).
+        affect different targets (such as weapons).
       </li>
       <li>
-    <strong>Target Specification:</strong> A target of "Self" means the caster
+        <strong>Target Specification:</strong> A target of "Self" means the
-    will use the spell on themselves, while a target of "Special" indicates that
+        caster will use the spell on themselves, while a target of "Special"
-    the spell functions in a unique way described in its text, usually affecting
+        indicates that the spell functions in a unique way described in its
-    a variety of creatures or elements present on the scene.
+        text, usually affecting a variety of creatures or elements present on
+        the scene.
       </li>
       <li>
         <strong>Duration:</strong> The duration of the spell. Either
-    "Instantaneous", meaning that the spell takes effect immediately and then
+        "Instantaneous", meaning that the spell takes effect immediately and
-    dissipates, or "Scene", meaning that the spell creates an ongoing effect
+        then dissipates, or "Scene", meaning that the spell creates an ongoing
-    lasting until the end of the scene it was cast in.
+        effect lasting until the end of the scene it was cast in.
       </li>
       <li>
-    <strong>Effect Description:</strong> The effect of the spell, often preceded
+        <strong>Effect Description:</strong> The effect of the spell, often
-    by a flavorful description. This description has no mechanical relevance,
+        preceded by a flavorful description. This description has no mechanical
-    but can help you understand the concept behind the spell and customize its
+        relevance, but can help you understand the concept behind the spell and
-    appearance in order to fit your character.
+        customize its appearance in order to fit your character.
       </li>
       <li>
-    <strong>Opportunity Effect:</strong> Spells that require a Magic Check often
+        <strong>Opportunity Effect:</strong> Spells that require a Magic Check
-    feature an opportunity effect. If you roll a critical success on your Magic
+        often feature an opportunity effect. If you roll a critical success on
-    Check, you may spend the corresponding opportunity to trigger this effect.
+        your Magic Check, you may spend the corresponding opportunity to trigger
+        this effect.
       </li>
     </ul>
-<h2>Spells</h2>
+  </div>
+</div>

books/core/115.html

@@ -1,9 +1,10 @@
+<div>
   <h2>Casting a Spell</h2>
   <p>To cast a spell, you must fulfill the following prerequisites:</p>
   <ul>
     <li>
-    You must be free to move your body. You can be holding items in your hands,
+      You must be free to move your body. You can be holding items in your
-    as long as you can move your arms.
+      hands, as long as you can move your arms.
     </li>
     <li>You must be able to speak and pronounce the invocation.</li>
     <li>
@@ -18,30 +19,26 @@
   <p>If all of the above are true, you may cast the spell.</p>
   <ol>
     <li>
-    Declare which spell you want to cast among those your character has learned,
+      Declare which spell you want to cast among those your character has
-    and what its effect will be.
+      learned, and what its effect will be.
     </li>
     <li>If required, choose the targets for your spell.</li>
     <li>
       Perform the magical gestures and pronounce the formula — remember that any
       nearby creatures will see and hear you.
     </li>
-</ol>
+    <li>Spend the required amount of Mind Points.</li>
-<h3>Magic Checks</h3>
+    <li>
-<p>
+      If the spell is an offensive (rr) spell, you must also perform a Magic
-  If the spell is an offensive spell, you must also perform a Magic Check.
+      Check. Elementalism, Entropism, and Spiritism Checks rely on
-  Elementalism, Entropism, and Spiritism Checks rely on
+      <span>【INS + WLP 】</span>, while Chimerism may choose between
-  <strong>【INS + WLP 】</strong>, while Chimerism may choose between
+      <span>【INS + WLP】</span> or <span>【MIG + WLP】</span>.
-  <strong>【INS + WLP】</strong> or <strong>【MIG + WLP】</strong>.
-</p>
       <p>
         Non-offensive spells are automatically successful and require no Check.
         Fumbles and critical successes on Magic Checks generate opportunities as
         normal.
       </p>
-<ol start="4">
+    </li>
-  <li>Spend the required amount of Mind Points.</li>
-</ol>
-<ol start="5">
     <li>Apply the effects of the spell.</li>
   </ol>
+</div>

books/core/55.html

@@ -36,8 +36,8 @@
 <p class="example">
   Example: The Obliterator Airship Babel will be operative within four days. If
   they want to neutralize its soul core and prevent the Emperor from conquering
-  the region, the heroes have no time to lose!
+  the region, the heroes have no time to lose! The Game Master draws a huge
-  The Game Master draws a huge Clock on the world map — four sections only!
+  Clock on the world map — four sections only!
 </p>
 <p>
   Clocks like these are "time trackers" and normally can't be directly

books/core/97.html

@@ -1,12 +1,74 @@
-<td>
+<h2>SPENDING FABULA POINTS</h2>
-  Add Bond strength to a Check (see <a href="/books/core/#page-47">page 47</a>).
+
-</td>
+<p>
-<td>
+  Your character's Fabula Points can be spent in a variety of ways — you have
-  Add Bond strength to a Check (see <a href="/books/core/#page-47">page 47</a>).
+  already encountered some of them during the previous pages, but there are two
-</td>
+  more:
-<td>
+</p>
-  Reroll dice during a Check (see <a href="/books/core/#page-46">page 46</a>).
+<ul>
-</td>
+  <li>
-<td>
+    Altering the current situation to your advantage in some way, by modifying
-  Reroll dice during a Check (see <a href="/books/core/#page-46">page 46</a>).
+    or adding elements (see next page).
-</td>
+  </li>
+
+  <li>
+    Some powerful character abilities require you to spend Fabula Points in
+    order to activate them.
+  </li>
+</ul>
+
+<p>
+  Taking these into account, the complete list of Fabula Point uses looks like
+  this:
+</p>
+
+<table>
+  <thead>
+    <tr>
+      <th>Effect</th>
+      <th>Fabula Point Cost</th>
+      <th>Description</th>
+    </tr>
+  </thead>
+  <tbody>
+    <tr>
+      <td>Alter the Story</td>
+      <td>1</td>
+      <td>Alter an existing element or add a new element.</td>
+    </tr>
+    <tr>
+      <td>Invoke Bond</td>
+      <td>1</td>
+      <td>Add Bond strength to a Check (see page 47).</td>
+    </tr>
+    <tr>
+      <td>Invoke Trait</td>
+      <td>1</td>
+      <td>Reroll dice during a Check (see page 46).</td>
+    </tr>
+    <tr>
+      <td>Use Skill</td>
+      <td>varies</td>
+      <td>Use a Skill that requires Fabula Points.</td>
+    </tr>
+  </tbody>
+</table>
+
+<h3>FABULA POINTS</h3>
+
+<p>
+  Fabula Points act as the core engine of the game, and they work as both a
+  mechanical and a narrative currency. The more hardships and defeats you face,
+  the more Fabula Points you earn; and the more you spend them to overcome
+  obstacles and challenges, the faster your character grows.
+</p>
+<p>
+  In a way, Fabula Points represent the cycle of fate surrounding the
+  protagonists of the story: they gather resolve from defeat, channel that
+  resolve through the Traits and Bonds that make them who they are, and grow
+  stronger for that... only to be faced with even greater adversities.
+</p>
+<p>
+  Is this truly a neverending cycle, or is it a spiral that can lead to new hope
+  for your world? Only by playing the game will you be able to reach an answer!
+</p>

books/core/98.html

@@ -1,4 +1,4 @@
-<h1>ALTERING THE STORY</h1>
+<h2>ALTERING THE STORY</h2>
 <p>
   As a Player, you can spend 1 Fabula Point to make a statement about the story.
   You get to shape part of the world, its people, and its creatures, to fill in
@@ -44,16 +44,18 @@
   your best to embrace the adventurous (and sometimes over-the-top) nature of
   this rule.
 </p>
-<h2>Example 1</h2>
+<div class="example">
   <p>
-  After defeating the Mirror Golem in the depths of the forest ruins, the heroes
+    <strong>Example 1:</strong>&nbsp;After defeating the Mirror Golem in the
-  recover a strange ivory disc bearing mysterious inscriptions. No one among
+    depths of the forest ruins, the heroes recover a strange ivory disc bearing
-  them knows how to read this ancient language; a Player decides to spend 1
+    mysterious inscriptions. No one among them knows how to read this ancient
-  Fabula Point to state his character knows of an elderly scholar living in the
+    language; a Player decides to spend 1 Fabula Point to state his character
-  countryside nearby, who might be able to help.
+    knows of an elderly scholar living in the countryside nearby, who might be
+    able to help.
   </p>
   <p>
     Since this statement does not contradict anything previously stated by the
     Game Master or by another Player, it becomes automatically true — the Player
     marks the position of the scholar's tower on the map.
   </p>
+</div>

books/core/99.html

@@ -1,7 +1,8 @@
-<h2>
+<div class="example">
-  Example 2: Our heroes are searching for a massive dragon across the rocky
+  <p>
-  hills surrounding Ildefort.
+    <strong>Example 2:</strong>&nbsp; Our heroes are searching for a massive
-</h2>
+    dragon across the rocky hills surrounding Ildefort.
+  </p>
   <p>
     They finally track the monster down to a large cavern. At that point, a
     <strong>Player</strong> declares she wants to spend 1 Fabula Point to state
@@ -9,29 +10,32 @@
     them.
   </p>
   <p>
-  The dragon is a creature introduced by the <strong>Game Master</strong>, which
+    The dragon is a creature introduced by the <strong>Game Master</strong>,
-  means the <strong>Player</strong> needs permission in order to make a
+    which means the <strong>Player</strong> needs permission in order to make a
     statement about them. The <strong>GM</strong> is okay with this, but points
     out that this is no "magical sleep" and that the group will have to make
     Checks in order to avoid waking up the dragon.
   </p>
-<h2>
+</div>
-  Example 3: Seven years ago, the warrior-sorceress Daige deserted the imperial
+<div class="example">
-  army.
-</h2>
   <p>
-  Now Daige finds herself back in the imperial capital, leading an infiltration
+    <strong>Example 3:</strong>&nbsp; Seven years ago, the warrior-sorceress
-  team determined to steal the Soul Crystal from the Empress' clutches.
+    Daige deserted the imperial army.
+  </p>
+  <p>
+    Now Daige finds herself back in the imperial capital, leading an
+    infiltration team determined to steal the Soul Crystal from the Empress'
+    clutches.
   </p>
   <p>
     While gathering information in the streets, Daige and her comrade Valincor
     realize they are being followed by a city guard: the
     <strong>Player</strong> controlling Daige, Hannah, spends 1 Fabula Point and
-  reveals that their pursuer is actually a member of her former unit, Ramis. He
+    reveals that their pursuer is actually a member of her former unit, Ramis.
-  was never a fan of imperial cruelties but remained in the army to feed his
+    He was never a fan of imperial cruelties but remained in the army to feed
-  family. Since the city guard was a character introduced by the
+    his family. Since the city guard was a character introduced by the
-  <strong>Game Master</strong>, Hannah needs permission — this is a huge change
+    <strong>Game Master</strong>, Hannah needs permission — this is a huge
-  to the scene, but the GM is intrigued and agrees to it.
+    change to the scene, but the GM is intrigued and agrees to it.
   </p>
   <p>
     From now on, the <strong>Game Master</strong> will still control Ramis — but
@@ -39,3 +43,4 @@
     Ramis still has a weakness: what will he do if his family is threatened?
   </p>
   <p>There is more than one side to each story.</p>
+</div>