“Before deciding how to face this calamity, you should understand what created it.”
Natural fantasy campaigns are often set in small regions or villages rather than entire continents and cities, but compensate for this “limited perspective” with vertical development: the current world was built upon countless layers of history, where terrible powers and wondrous magics are buried. These are truly ancient worlds, where the past is millennia away rather than centuries, so that the causes of today’s misfortunes are often incomprehensible.
Natural fantasy mostly does away with epic and spectacular aesthetics, instead presenting Fabula Ultima’s thematic core in a visceral and sincere way, and involving the protagonists on an intimate and personal level: these are stories about the environment, life, and death. Like fairy tales, and the philosophies and traditions that inspired it, the natural fantasy style presents death as a necessary step for the world to regenerate – a terrible pain and yet an opportunity to appreciate life; a meaningful act which cannot be inflicted lightly, nor be stripped of its solemnity.
Here are some titles that shaped the artistic vision of this book: